CULTURE
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Hiam Abbass: Silence is not neutral
At Berlinale, the French-Palestinian actor pushes back on calls to keep politics out of cinema, urging filmmakers to amplify the voices of oppressed and bombarded communities.
Hiam Abbass: Silence is not neutral
Abbass said filming was delayed eight months and moved to Jordan instead of the occupied West Bank. / Reuters
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The start of this year's Berlin Film Festival was marked by a row over how far film should venture into politics but for prominent French-Palestinian actor Hiam Abbass, "everything we do is a political act".

Abbass is starring in two films being presented at this year's Berlinale festival and in an AFP interview she emphasised the importance of a politically engaged approach to cinema.

At Thursday's opening press conference jury president Wim Wenders sparked controversy by saying "we cannot really enter the field of politics", in response to a question about Germany's support for Gaza.

"I don't agree," Abbass told AFP.

"There's a lack of courage among people in the film world -- among some, not all," said Abbass, who gained global attention for her role as Marcia Roy in the hit HBO series Succession.

She recognised that Wenders's remarks were "taken out of context", as he did talk about cinema's capacity to "change the world", albeit in a different way from party politics.

Nevertheless, Abbass said she was glad to see filmmakers at this year's festival "commit to amplifying stories and voices of minorities, oppressed people, people experiencing bombardment, genocides".

"Today more than ever, if we don't tackle these subjects, we're making art for art's sake, and that's something that doesn't interest me."

'Act of resistance'

In "Only Rebels Win" by Lebanese filmmaker Danielle Arbid, Abbass plays a Christian Palestinian living in Beirut who faces a backlash from those around her because of her relationship with a South Sudanese Muslim migrant 40 years her junior.

Israeli bombardments between September and November 2024 forced the production to relocate from Beirut to a studio near Paris, where the team deployed creative solutions to recreate the Lebanese capital.

Abbass said the circumstances turned the film into "an act of resistance".

When the bombardment of Beirut began, "I told Danielle: 'Whatever you do, wherever you go, I'll follow you, because this film has to get made'."

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Academy's 'open-mindedness'

Before starting on "Only Rebels Win", Abbass had just finished working on "Palestine 36" by Annemarie Jacir, a depiction of the Palestinian uprising against the British Mandate in 1936.

Abbass said that the "the film waited eight months so that it could be shot," with production forced to move to Jordan instead of the occupied West Bank.

Abbass said that the team decided that "at a certain point, we couldn't keep being subject to" the decisions of the Israeli government.

She also welcomed the Academy's decision to include three films highlighting the Palestinian experience in its shortlist for best international feature film: "Palestine 36", Kaouther Ben Hania's "The Voice of Hind Rajab" and Cherien Dabis's "All That's Left of You".

Only Kaouther Ben Hania's film ultimately made the final list of five nominees.

But Abbass praised the "open-mindedness" of the Academy to bring these films "almost to the final stages of the Oscars" after what she said Israel's genocide in Gaza.

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SOURCE:AFP