View ‘The Future’ amidst skyscrapers in Istanbul’s business district

A small building that would be missed if not for the sculpture exhibition on its rooftop terrace, the Elgiz Museum offers office workers and curious tourists willing to make the trip a worthy scene.

Sesil Beatris Kalayciyan’s 2020 work “Lost” posits that childhood is not a biological category but a social construct. The artist says her project focuses on the feeling of loss, of feeling inadequate.
TRTWorld

Sesil Beatris Kalayciyan’s 2020 work “Lost” posits that childhood is not a biological category but a social construct. The artist says her project focuses on the feeling of loss, of feeling inadequate.

A private museum located in Istanbul’s business district Maslak, the Elgiz Museum is celebrating its 20th anniversary this year. A small building that is dwarfed by the skyscrapers surrounding it, the Elgiz Museum is home to a commendable contemporary art collection, and is the current location for a terrace exhibition on its rooftop.

TRTWorld

Suat Dundar’s 2019 work “We’ll Sleep, We’ll Wake, We’ll Sleep, We’ll Wake, We’ll Grow” (R) pins hopes for the future on children.

The book accompanying the 13th terrace exhibition, The Future, on view until October 23, 2021, notes that the museum was founded by collectors Sevda and Can Elgiz as the first contemporary art museum in 2001: “This privately-owned non-profit institution took on a mission to support the development of contemporary art with a global identity in a two thousand square metre space open to the public.”

TRTWorld

Ufuk Gunes Taskin’s 2021 work “Post Truth Era, Post Human Bodies” reflects a future where bodies seek their own reality in a time when truth is uncertain.

The terrace is accessible through the museum via an elevator or a staircase. The exhibition is part of an annual series of large-scale sculpture exhibitions that began in 2012. There were 113 artists who submitted 144 artworks to the exhibition, from among which 48 sculptures were chosen by an advisory board comprising Nilufer Ergin, Hasim Nur Gurel, Seyhun Topuz, Rahmi Aksungur and Can Elgiz.

TRTWorld

Ibrahim Arslan’s 2021 work “Id” questions whether we, wearing “id glasses,” can in our current times of greed and ignorance, lead the way to a future we wouldn’t be ashamed of leaving our children.

Member of the advisory board Nilufer Ergin, who was one of the selectors evaluating the work submitted for display in The Future exhibition, writes in the foreword that “despite the pandemic that has swept the world, changed almost all our habits and left us on a threshold, this year we saw once again that artists protect life with art as they did last year.”

TRTWorld

Ozgur Turhan’s 2021 work “Journey of Ascension” is inspired by Sufi mysticism, describing the passage towards the infinite source of being.

Ergin likens the Elgiz Museum terrace to an island, a utopia of sorts where hopes and dreams start for the future and “where we meet and resist with art. A present that opens to the future.” She also draws attention to the fact that having been exploited “with great brutality”, nature is dying and that it is more fragile than ever, “having lost the ability to repair itself” and thus lacking the means to build its future with its natural evolution.

TRTWorld

Canan Demir’s 2019 work “One Day in the Past” questions gender roles in a male-dominated society and emphasises the significance of opposites and contrasts.

She goes on to say that the conceptual framework of “Future” demanded of artists their “innovative and transformative” perspective, their desire to be “free and autonomous”, and their predictions for the future.

TRTWorld

Nilufer Satana’s 2020 work “Narcissus” uses the burdened protagonist’s mirror as a portal to the future. According to the artist, he is dreaming of his ideal personality beyond physical beauty.

The exhibition is heavily indebted to the human form, with plenty of artists choosing to convey their hopes and dreams about the future through the use of children.

TRTWorld

Atilla Saban’s 2021 “Share” tells the tale of a person trying to be someone under daily pressures and oppressive masses, trying to stay in the moment.

The artists in the exhibition are Sonay Acar, Turker Akman & Deniz Yilmaz Akman, Ibrahim Arslan, Kemal Ozkan Arslan, Gorkem Barshan, Mustafa Bulat, Tarik Ceddi, Vasilisa Chugunova, Ugur Cinel, Barkin Coskun, Esra Coskun, Ilayda Cetinay, Halil Daskesen, Canan Demir, Neslihan Demircioglu, Furkan Depeli, Ceylan Dokmen Sakin, Suat Dundar, Umit Turgay Durgun, Aslisah Erdem, Cagri Gozkonan, Nadide Gurcuoglu, Hale Feriha Hendekcigil, Abdulkadir Hocaoglu, Sercan Inam, Asli Irhan, Sesil Beatris Kalayciyan, Busra Kara, Nisa Karaca, Ilhan Kaya, Busra Kolmuk, Deniz Kulaksizoglu, Onul Kundakci, Irem Nalca, Gul Iclal Oner, Atilla Saban, Ozgur Mehmet Sakalli, Nilufer Satana, Caner Sengunalp, Esra Tasar, Ufuk Gunes Taskin, Mustafa Tugrul, Muzaffer Tuncer, Tolga Turan, Ozgur Turhan, Taha Ustundag, Arif Yildiz, and Pinar Yilmaz.

TRTWorld

Esra Coskun’s 2021 work “Remains of Us” uses soda cans to make a point about waste.

The Elgiz Museum’s terrace exhibition can be viewed Tuesdays to Fridays from 10am to 5 pm and Saturdays from 10 am to 4 pm. During the Eid holiday, the museum will be closed between July 17 to July 26, 2021.

Route 6